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Selected as a Top Ten Book of the Year by The Washington Post: the newly discovered last novel by the author of The Three Musketeers.
Rousing, big, spirited, its action sweeping across oceans and continents, its hero gloriously indomitable, the last novel of Alexandre Dumas―lost for 125 years in the archives of the National Library in Paris―completes the oeuvre that Dumas imagined at the outset of his literary career.Indeed, the story of France from the Renaissance to the nineteenth century, as Dumas vibrantly retold it in his numerous enormously popular novels, has long been absent one vital, richly historical era: the Age of Napoleon. But no longer. Now, dynamically, in a tale of family honor and undying vengeance, of high adventure and heroic derring-do, The Last Cavalier fills that gap.
- Sales Rank: #354792 in Books
- Brand: Brand: Pegasus
- Published on: 2008-10-07
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 2.20" w x 6.10" l, 2.40 pounds
- Binding: Paperback
- 864 pages
- Used Book in Good Condition
From Publishers Weekly
Starred Review. This first English translation of the last, previously unknown novel by Dumas (1802–1870) offers a stunning completion to his fictional mapping of French history. The plot centers on Compte Hector de Sainte Hermine, a royalist captured and imprisoned by Bonaparte. Part one finds him caught in the political intrigue of 1801–1804, as Napoleon moves from first consul to emperor. In part two, Hector, now known as René, is released from jail; he signs onto a French corsair as a common seaman, but his noble birth, superb education and martial abilities soon elevate him in rank. The next 300 pages slosh with swashbuckling sea adventure, casting heroic romance against the background of Napoleon's ultimate fall. It's Dumas at his best, but alloyed: asides; minibiographies; commentaries on fashion, manners, geography and history; and flashbacks pile up unendingly, leavened with farcical humor and witty punditry. Although it lacks the polish of The Three Musketeers and the concision of The Count of Monte Cristo, this capacious, rambling, unfinished account of the Napoleonic era represents vintage Dumas and an intensely personal vision of the time. (Nov.)
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From The New Yorker
This long-lost novel by the nineteenth-century master of the swashbuckler was discovered in decidedly twentieth-century fashion, on microfilm in the National Library in Paris. A breathless seven hundred and fifty pages, the unfinished manuscript nominally concerns a young velvet-suited nobleman "whose pallor bespoke a strange destiny": to redeem his family’s Royalist past, he must serve as a common sailor on a corsair. But Dumas seems only intermittently interested in his hero, lingering instead on Napoleon, still an emperor-in-waiting, bemoaning his marriage to spendthrift Josephine ("I shall keep divorce legal in France, if only so I can leave that woman"). Amid stagecoach heists, assassination attempts, and the occasional tiger hunt, sudden details gleam: a condemned aristocrat requests the services of a barber en route to the scaffold; a lovelorn girl conspires to commit suicide by snakebite.
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Review
The Last Cavalier is a lost treasure. The spirit of Monte-Cristo rides again. -- The New York Review of Books
Alexandre Dumas carries his swashbuckling style into the age of Napoleon. -- The New York Times
Epic storytelling in the hands of a master. -- Nick Ochwar, The Los Angeles Times
It's absolutely wonderful.....Dumas remains, now as ever, the Napoleon of storytellers. -- Michael Dirda, The Washington Post
Most helpful customer reviews
0 of 0 people found the following review helpful.
This novel is incomplete and unfinished as Alexandre Dumas died ...
By Cosme
This novel is incomplete and unfinished as Alexandre Dumas died before finishing it. However, the preface, which describes at length how the novel came to be rediscovered and published is a worthy read in of itself. Furthermore, Dumas writes with a passion and intensity of a dying man driven to complete his vision of French history during the Napoleonic epoch. The hero is classic Alexandre Dumas, noble and resourceful beyond true human capacity, but the reader forgives Dumas for his nineteenth century romantic enthusiasms and archetypes because he drives the reader along with his faith in the heroism, the rectitude and endurance of his characters...and in this age where the heroic has all but disappeared from public and political discourse, to escape from Hillary Clinton's humorless, remorseless drive to power, the alleged ends justifying her means, (as she reaps a harvest of pecuniary gain for herself and her husband) or from the Donald and his carnival barking and huckstering of the American public, to read about honor and rectitude, sacrificial in its efforts, yet made the more noble because of it, is to restore man's faith (at least this man's) in the redemption of men and women who take God and virtue seriously.
1 of 1 people found the following review helpful.
Long, Meandering
By Tom
I know editing on a book wasn't done as it is today back then, but honestly the book needed to have a hundred pages or more cut out. It was long and went on so many side notes that it just wasn't enjoyable. I love The Count of Monte Cristo, which is clearly longer, but with The Count it never seemed like he was going off subject for very long. I was a little disappointed with the book. Even reading the description in the beginning of everything else that was supposed to happen seemed a little long and felt like it could have been trimmed. But I'll pick up another Dumas book soon and try and forget this one. The first half is great, but after that...well it could have ended with him in prison and I think I would have been okay.
6 of 6 people found the following review helpful.
Interesting read for die-hard Dumas fans, but not one of his better works
By Adam
First, let me say that Dumas is one of my favorite writers of all time. Among others, I've read unabridged versions of The Count of Monte Cristo, The Three Musketeers, and Twenty Years After. I also read one of his shorter novels, Georges. I thorougly enjoyed all of them, and would include the first 3 listed among the best works of fiction I have ever read (Georges is also good but not quite as good as the first 3 I listed). When I saw The Last Cavalier on Amazon, touted as a "lost work" (which it in fact is), I immediately pre-ordered it, and patiently endured delay after delay before the book was finally released. It was something like 8 months after I pre-ordered it before I actually recieved the book, and the wait only served to increase how much I looked forward to reading it - I very much wanted to enjoy this book. Alas, I was disappointed!
The Last Cavalier reads almost like 2 separate works that have been pasted together. The first half focuses on Napoleon and on George Cadoudal. This half of the book is peppered with a number of very interesting historical facts (many of which I was ignorant of), but it is a bit slow at times. The first half also introduces our hero, Hector de Saint-Hermine and his family, but the focus is not yet on him. The second half is the story of Hector (aka Rene), and reads more like a novel.
To me, the most glaring flaw of The Last Cavalier is that the various plotlines are not tied together into a cohesive story. It is a long book, and unlike Dumas' other works it reads like a LONG book! The Count of Monte Cristo was itself over 1,200 pages long, but it was such a page-turner that it didn't at any point feel cumbersome or too wordy. Not the case with The Last Cavalier - a number of the wordy digressions are, in fact, nothing more than wordy digressions that don't add to the story. You really do get the feeling that Dumas is being paid by the word (which he often was). It took me a long time (about 2 months!) to finish the thing simply because it just didn't have the draw to keep me reading for very long periods at any one time, I kept putting it down and even contemplated giving up on it a few times.
The character of Rene is not particularly believable and despite the fact that he has faced great hardship, he's not that easy to sympathize with. He's invincible and is able to perform feats of daring, strength, skill, and even gluttony to the point that it's absurd. He also lacks a worthy antagonist - early on (and in fact it's stated in the book jacket) Napoleon is the long-time nemesis of Hector's family, but ultimately nothing ever comes of that. Hector does face a number of minor antagonists throughout the book, but none stick around long enough for their characters to get fully flushed out.
While this is a flawed work in my opinion, there are a few redeeming qualities. For one, the writing is excellent. For another, while the overall story isn't tied together very well, there certainly are brief periods of brilliance (when George Cadoudal reveals himself in a farmhouse; the wedding scene; some of the tales regarding the Companions of Jehu). These periodic flashes of greatness kept me from giving up on the story, as I would tell myself "ah, this is where the story really starts to get good!" ... alas, that never really happened. Finally, as I mentioned before the novel is peppered with a number of very interesting historical tidbits, particularly relating to George Cadoudal, Napoleon, and Lord Nelson. I'm not 100% certain to the general historical accurary, but some of the things I quickly checked on Wikipedia (which I realize isn't the most reliable source itself, but hey it's quick and generally is accurate) indicate that the history is pretty accurate.
In summary - if you are a huge fan of Alexandre Dumas and want to read everything he's ever written (or get as close as you can), then you certainly should read this. If, however, that is not the case or you are new to Dumas, do yourself a favor and read an unabridged copy of either The Count of Monte Cristo or The Three Musketeers, as his genius really shines through in both of those works.
If Dumas had time to actually finish The Last Cavalier (and by complete it I don't just mean write the ending, I mean go back through it and edit and delete or change things, as he often did before publishing a novel), it's entirely possible that this could ultimately have been a great work as well. But as it stands, it reads as a flawed and incomplete story.
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